The Secret Ingredient to Glazing 🤫

17 Replies to “The Secret Ingredient to Glazing 🤫”

  1. dude this is so helpful as an oil painting HS student who has been terrified of glazing haha

  2. I feel like I inadvertently taught my self to paint like this kinda with acrylics because I was young and broke

  3. Those 3 fingers on her left hand are so long it made me laugh a little.n

  4. Love seeing this canr wait for the next part
    And I i love your voice too it's so nice❤

  5. this is oil right? aren't you limited by the number of layers you can apply to the piece?

  6. The white layer is called scumbminh: and it’s generally advised not to do it until the last layer, from what I’ve heard.

    I’m less certain about the umber/ black…. But generally I would say not to do that as well and focus on having accurate values to begin with.

    Why? Because pigments dry at different speeds and create more of less rigid layers when suspended in the polymerized linseed oil.

    Meaning generally it’s understood that umbers and blacks cause a more rigid layer than a white which if underneath other layers might cause cracking.

    Though, I’m always open to other people’s experience/ knowledge.

    What does everything else think/ what have you heard?

  7. If this was the 1700s you would've been sponsored by the city or the church 😢

  8. This is the definition of "trust the process".. I was so sure she would be a pink alien lookin lady lmao

  9. Ahhh that's good to know… I always found glazing my underpaintings this way to look murky and muddy so this is good to know others just add more shadow and highlights as they go

Comments are closed.